Les Arcs Industry Village Winners: ‘The Visitor’, ‘Rossosperanza’ & ‘Veni Vidi Vici’ Private High Prizes

Lithuanian filmmaker Vytautas Katkus’s debut feature project The Visitor obtained the head €6,000 Artekino Global Award at the Les Arcs Coproduction Village on Tuesday.

The award, made up our minds by Rémi Burah, President of ArteKino Foundation and CEO of Arte France Cinéma, is granted to enhance the trend of the project.

The project, which beforehand obtained Cannes Critics’ Week Next Step prize in Can also honest, revolves around a young man attempting to raze a brand new lifestyles for himself in a international land where he doesn’t discuss the language or know any individual.

“For this 2022 version, the ArteKino Global Award supports a first feature by a director walking the line between fiction and documentary, social realism and inconceivable poetry, with a refined steadiness that he has demonstrated in his already very mastered fast motion photos,” mentioned Burah.

The Visitor was amongst 18 feature projects taking portion in the Les Arcs Coproduction Village.

It is one component of the Les Arcs Film Pageant’s industry Village, working December 1- to 13, which additionally spans the Works in Development and Expertise Village and Tune Village sidebars.

Round 600 movie and track professionals attended the match.

There non-public been three awards for the Works in Development showcase presenting 14 feature motion photos in post-production.

Italian director Annarita Zambrano’s Rossosperanza obtained the TitraFilm Award, consisting of €10,000 in post-production providers and products for image and/or sound.

Zambrano’s second feature after 2017 Un Certain Regard title After The War, Rossosperanza. is a social satire situation in an establishment for wayward rich kids in the 1980s.

The movie is produced by Angry Entertainment (Italy), Rai Cinema (Italy), TS Productions (France), Minerva Photos (Italy).

The jury was restful of Cannes Critics’ Week general delegate Ava Cahen, Curzon Man made Stumble on managing director Louisa Dent and director Ursula Meier.

“In spite of the entirety, it was an advanced replacement, as we had a form of very true projects to select from, so in the head, we made up our minds to honor the work of a free-gripping and fearless director and give the TitraFilm Award to a crazy movie fats of blood and hope,” they mentioned in a joint assertion.

The €5,000 Alphapanda Target audience Engagement Award– combining advertising spending and a digital advertising and marketing approach – went to Veni Vidi Vici by Austrian filmmakers Daniel Hoesl and Julia Niemann.

Revolving around an uber-rich household with lethal pursuits, the movie continues Hoesl’s exploration of the vitality of wealth and money in his earlier factors Soldier Jane, WINWIN and the filmmakers’ joint documentary Davos.

The feature is produced by Ulrich Seidl Filmproduktion.

The jury was restful of Wild Bunch producer Florence Gastaud, Alphapanda movie advertising and marketing strategist and founder Mathias Noschis and Joanna Solecka, who’s a movie advertising and marketing and social media strategist and head of the company’s Warsaw office.

“We originate now not non-public any doubts that the movie will reach its design to non-public an sign on audiences and switch the passive system all of us expose to the inferior division of wealth and vitality in our society,” they mentioned.

22D Tune Award, which is in its second Twelve months, went to Swedish director Sarah Gyllenstierna’s drama Hunters On A White Self-discipline in which a hunting trip takes a habitual turn.

The jury was restful of 22D Tune CEO Emmanuel Delétang and composers Ludovic Bource and Laëtitia Pansanel-Garric.

“The story of three fashioned males, who let their feeble pulsions retract over in the course of a hunting weekend; this dim and absurd drama, per chance visionary, touched us. What occurs when death becomes an obsessional game? The sound dimension of the movie, and in notify the fashioned score may be compulsory to underline the numerous psychological,” they mentioned in a joint assertion.

In other prizes, the €2,000 Universciné Award aimed at projects being showcased in the Expertise Village replacement aimed at emerging filmmakers, went to Pascal Schuh’s No longer Coming Out.

The jury was restful of producer Julie Billy at Paris-primarily primarily based June Movies and Georges Goldenstern, historical director of the Cannes Cinéfondation.

“We non-public been moved by the kind the director is telling the story and by the very unique system he looks to be at an unknown historical second of our European historical past,” they mentioned.

“Thru this movie, we found how homosexuality was thought about in East Germany sooner than the tumble of the wall and the advanced emotions that the LGBTQI+ neighborhood confronted whereas the unification was starting up. This movie is intimate and political and we would prefer to reward its good ambition.”

There was additionally a determined level out for Kálmán Nagy’s The Shame of the Borbély Family.

In further prizes, Cannes Producers Community granted badges for the upcoming 2023 version to Industry Village producers Jelena Angelovski at Slither Film (Montenegro) and Katarína Krnáčováa at Silverart (Slovakia).

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