Puth goes deep on his recent album, ‘Charlie,’ conquering TikTok, and much extra — including his response to his buddy Adam Levine’s recent troubles and why his early work became ‘corny’ — in our in-depth recent interview
“I hope of us hear to this album and stamp how special they are, because of I realized how special I became,” says Charlie Puth. MICHAEL HICKEY/GETTY IMAGES
Charlie Puth’s exact recent album, Charlie, is the made of two spoil-ups — one with a longtime industry affiliate, the opposite with a female friend. “It became a loss at one time of two relationships that I notion I wished to prevail,” he says in a revealing interview on the recent episode of Rolling Stone Music Now. “I realized that I’m in a position to rather just a few things, and making an album is definitely one of them – and I’m gonna attain this myself. I hope of us hear to this album and stamp how special they are, because of I realized how special I became.”
Within the interview, Puth goes deep on the making of Charlie, and much, worthy extra, from writing “Enjoy” for The Minute one Laroi and Justin Bieber (and getting pranked by Biebs afterward) to why he level-headed hasn’t figured out if Benny Blanco is serious or not when he insults Puth on TikTok. (“Presumably it’s some uncommon L.A. shit that I don’t stamp, where we’re visitors, but on the Web, we’re foes.”) To listen to the total episode, hear on Apple Podcasts or Spotify, or press play above. Some highlights apply:
Puth became signed to Ellen DeGeneres’ short-lived file mark in 2011 — and it didn’t work out. Greyson Chance currently advised Rolling Stone that he felt “deserted” by DeGeneres (a claim that she disputed), and Puth says that he had his believe wicked ride at the debate stamp host’s mark. “We every possess totally different experiences, me versus Greyson,” he says. “Nonetheless I attain agree with him that no-one became recent, in actual fact, after the advent of my first demo EP. No longer striking any blame on one particular person, but from a collective… The entire of us that were in that room, they perfect disappeared. I didn’t hear from somebody.” (Sources near DeGeneres’ crew insist they don’t remove this going down.)
Puth says he’s by no contrivance talked about any of this with DeGeneres herself, and that he has no disaster with her in my conception. “Of us portray Ellen as coarse,” he says. “I’ve by no contrivance experienced that. Presumably she likes me.” Despite every thing, Puth thinks he became so inexperienced at that time that he’s overjoyed those early songs didn’t attain out. “I don’t know how true they are,” he says.
At the same time as a Jersey boy, he can’t consume between his like of Bruce Springsteen (with whom he most continuously exchanges texts) and Billy Joel. “I became continuously so fascinated how Bruce became ready on The Rising to mix overjoyed chords, overjoyed sentiment with the dichotomy of what became being sung lyrically — overjoyed and sad at the identical time,” he says, including that “My Metropolis of Ruins” helped inspire the chord progression of his first hit, “Watch You Again.” “And Billy Joel became the living proof that I would possibly perchance doubtless properly be a a hit artist and play the piano, which, you already know, my visitors made fun of me for taking part in. I became a dork in heart college and past. I appeared at Billy Joel because the cool guy who made classical tune in pop tune.”
Puth doesn’t know what to execute of his buddy Adam Levine’s sexting scandal. “So obviously I’m not even actually giant-conscious of the difficulty, but, you already know, he is a buddy of mine,” he says. “I became actually a very good deal surprised by that, to be entirely appropriate, and I don’t even in actual fact know what to claim, because of it’s not a giant dispute. And I will’t expose to it at all. I merely am perfect here, fancy, not incandescent what to achieve.”
Puth became blown away by the talent of BTS’ Jungkook when they recorded the one “Left and Gleaming” collectively. “He’s a low-key prodigy,” says Puth. “He has most titillating pitch and would possibly perchance doubtless remove any conceal on the station, which I chanced on very impressive. He doesn’t insist a lick of English, and we’re ready to insist fancy we’re most effective visitors perfect through tune. It’s a terribly good, brilliant thing.”
He agreed with criticism of his first album, 2016’s Nine Music Thoughts. “I in actual fact don’t execute tune for critics,” he says, “but I became agreeing with them when they curbed my first album and they were fancy, ‘Here is the worst tune ever.’ I wish I had time to execute a higher album. We had ‘Watch You Again,’ the greatest tune since ‘Lose Yourself.’ And I became by no contrivance speculated to enlighten that file. I wrote it particularly for one more artist to enlighten, and then I with out warning needed to settle out be an artist in front of millions of of us. I became corny. I became 24 years extinct. I became determining, fancy, enlighten in front of a dwell target audience. I had by no contrivance performed any of these things before, because of I notion I became perfect gonna be in the wait on of the scenes. So forgive me if I made some missteps, but I had millions of eyes on me.”
Exhibiting the field his songwriting direction of for this album almost live to bid the tale TikTok became a transformative ride — and he’s going to protect doing it. “I don’t mediate I’m ever gonna execute an album where I’m hiding faraway from of us,” he says, “and I’m in my miniature cocoon and then one day I’ll be ready to share it with each person. It perfect doesn’t feel fancy me.”
Salvage and subscribe to our weekly podcast, Rolling Stone Music Now, hosted by Brian Hiatt, on Apple Podcasts or Spotify (or wherever you regain your podcasts), and take a look at out six years’ price of episodes in the archive, including in-depth, occupation-spanning interviews with Bruce Springsteen, Halsey, Neil Young, Snoop Dogg, Brandi Carlile, Phoebe Bridgers, Rick Ross, Alicia Keys, the Nationwide, Ice Dice, Robert Plant, Dua Lipa, Questlove, Killer Mike, Julian Casablancas, Sheryl Crow, Johnny Marr, Scott Weiland, Liam Gallagher, Alice Cooper, Fleetwood Mac, Elvis Costello, John Legend, Donald Fagen, Phil Collins, Justin Townes Earle, Stephen Malkmus, Sebastian Bach, Tom Petty, Eddie Van Halen, Kelly Clarkson, Pete Townshend, Bob Seger, the Zombies, Gary Clark Jr., and heaps of others — plus dozens of episodes that comprises genre-spanning discussions, debates, and explainers with Rolling Stone’s critics and journalists.
From Rolling Stone US.