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20 Timeless Hits To Imprint Alka Yagnik’s Birthday

There are no ifs, ands or buts about it; Alka Yagnik is one in every of the best and most versatile female playback singers of all time. In a profession that spans over four a long time, the artist has managed to keep connected, sound new and invent such a fanciful archive of hit songs across limitless languages and kinds. Subsequent to the gradual gargantuan Lata Mangeshkar, and Asha Bhosle, there could be no person else that matches this level of feat.


On March 20, the singer celebrates her birthday and we are highlighting Alkaji’s wonderful profession with 20 timeless very crucial hits from her Hindi film catalog.

1981 – “Mere Angane Mein” (Laawaris)

Most are unware that Alkaji’s legacy truly begins right here and now no longer with the next song. While Amitabh Bachchan’s version and efficiency used to be more highly current (and understandably so, given his good efficiency of the song in the film), it is Yagnik’s version that is the nasty composition. The singer used to be factual 15 years outmoded when the song launched and it serves a good prelude to the many peppy, saucy numbers she’d dawdle on to raise to legendary site in the 1990s.

1988 – “Ek Attain Teen” (Tezaab)

Laxmikant Pyarelal’s Tezaab used to be a blockbuster, and “Ek Attain Teen” proved to be Alka Yagnik’s first staunch blockbuster song. While she had been recording songs for limitless motion pictures for the duration of the 1980s, the song and the actress on hide, a young Madhuri Dixit, proved to be a sport changer. The word had every youngster across the nation counting alongside, and it established Alkaji as the next era’s upbeat queen – one thing squarely anointed to Asha Bhosle except then.

1988 –“Aye Mere Humsafar” (Qayamat Se Qayamat Tak)

Incidentally the identical 365 days as her astronomical dance quantity breakout, Alkaji additionally grew to change into the philosophize of newcomer Juhi Chawla for the vast hit film Qayamat Se Qayamat Tak. While “Papa Kehte Hain” used to be the best word of the film, the three duets between Udit Narayan and Alkaji contain been additionally hugely standard. “Aye Mere Humsafar” showcased Alkaji’s softer, romantic side, in quite lots of ways cementing her as now no longer very top the next era’s Asha Bhosle nevertheless additionally Lata Mangeshkar.

1989 – “Gali Gali Mein” (Tridev)

Alka Yagnik instant grew to change into the dawdle-to gal for upbeat dance tracks in motion pictures. There looked to be a universal truth to all these songs – they centered round an incredibly catchy melody. That used to be undoubtedly the case with “Gali Gali Mein.” While the Tridev soundtrack used to be literally one hit song after one other; this used to be Alkaji’s vivid moment and the song has persevered to be standard even on the present time. In point of fact, thus far, every song listed has been now no longer too long in the past remade or remixed, yet more proof how standard these songs contain been.

1992 – “Aisi Deewangi” (Deewana)

Nadeem Shravan and Alka Yagnik created magic for the duration of the 1990s. In point of fact, the Alka Yagnik-Kumar Sanu/Udit Narayan duet plight the romantic ballad template for the era. While 1990’s “Saajan” used to be their first astronomical day outing, the hits persevered and “Aisi Deewangi” from Deewana grew to change into a rage. These opening notes the establish Alkaji sings acapella is each and every haunting and honest, and the midtempo quantity that follows very top cements the truth that Yagnik had chanced on a mode to perfectly exude the dazzling sentiment in any song.

1993 – “Choli Ke Peeche” (Khalnayak)

Of course, this used to be one for the historical previous books. In 1993, the liberate of the highly controversial (for the time) song from Subash Ghai’s Khalnayak, “Choli Ke Peeche” used to be somewhat presumably Laxmikant- Pyarelal’s easiest composition in a long time. Alkaji, alongside Ila Arun, created absolute havoc with this hyper-sensual (some would argue hyper-sexual) song, which over again paired the singer with Madhuri Dixit. The song would change into so big that even Billboard Magazine would write concerning the word. The total acclaim Alkaji got for this word is properly deserved. She modified the game of what used to be vocally probably, and despite all the backlash that surrounded the word, now no longer one particular person raised a controversy alongside with her efficiency. Relaxing truth : “RingaRinga” from Slumdog Millionaire used to be basically a Piece 2 of the song, and clearly a key fragment of the Oscar-a success soundtrack for A.R. Rahman.

1994 – “Tip Tip Barsa Paani” (Mohra)

The sensuality sport persevered with this traditional rain song. While the song is in all people’s consciousness over again as a result of the most contemporary remake in the film “Sooryavanshi,” it’s attention-grabbing to model that “Tip Tip Barsa Paani” used to be now no longer the large hit from “Mohra” on the time. It used to be the grower that grew to change into standard after the liberate of the film, and after the overexposure/retirement of “Tu Cheez Badi Hai Mast” from countdown reveals.

1996 – “Aaye Ho Meri Zindagi” (Raja Hindustani)

1996 used to be the 365 days of Nadeem-Shravan’s Raja Hindustani. While every song proved to be a blockbuster hit, it used to be the emotional “Aaye Ho Meri Zindagi,” and in explicit Alkaji’s version that proved to dawdle away a lasting impression. The incredibly melodious word felt fancy the correct fruits of a gigantic selection of of songs we had heard by the track director and the singer, nevertheless by some capability the lyrics and Alkaji’s vocal depth gave it a presence properly previous the film. It would additionally change into yet one other template for a efficiency vogue then continuously requested of the singer including “Sabki Baaratein Aayi” from 1999’s Janam Samjha Karo.

1998 – “Chamma Chamma” (China Gate)

1998 used to be a fanciful 365 days for Alka Yagnik as she dominated the airwaves with so many hits; it used to be as if there contain been no other recording artists round. While she and Kavita Krishnamurthy contain been basically the correct A-listing vocalists remaining, Alkaji had the higher hand because her versatility used to be merely unmatched. With the emergence of the merchandise song over again, her search recordsdata from over again started to upward thrust for that “hit song.” And boy did she yelp! “Chamma Chamma” used to be yet one other hit she delivered for film director Raj Kumar Santoshi after “Koi Jaye To Le Aaye” from 1996’s Ghatak. Of course, with Urmila Matondkar sizzling up the hide, the song used to make certain to be a rage, and sure, yet over again, we’ve heard a remake of the song in most contemporary years, over again paling compared to the true.

1998 –“Tum Paas Aaye” (Kuch Kuch Hota Hai)

Jatin-Lalit’s “Kuch Kuch Hota Hai” used to be a blended ranking musically nevertheless the vivid valuable particular person of the model used to be Alka Yagnik. From “Ladki Badi Anjani Hai” to “Raghupati Raghav,” her philosophize used to be showcased across generations, actors and ages. It is clearly though the iconic title song of the film for which Alkaji used to be most current and honored. And in a prelude to Shreya Ghoshal’s sad version trumping the true “Tujh Mein Rab Dikhta Hai” from “Rab Ne Bana Di Jodi,” many mediate it is Alkaji’s sad version of “Tum PaasAaye” that’s truly the vocal efficiency of the film. We are inclined to agree.

1998 – “Gali Mein Chand” (Zakhm)

The glorious word of 1998 happens to be one in every of my personal favorites of Alkaji. While Zakhm used to be an underrated gem of a film, and I’m overjoyed the film’s soundtrack has reputedly chanced on an audience over the years. “Gali Mein Chand,” in explicit – the album’s heart – has change into a truly timeless traditional. After her personal album with Javed Akthar “Sare Sapne” proved a convincing success, it used to be M.M. Kreem who used to be ready to function one other side of Alkaji in her vocals right here. The risk, joy, happiness and disappointment that near together so fantastically in this melodious word is unmatched. If truth be told one in every of Alkaji’s very top songs ever.

1999 – “Dilbar Dilbar” (Sirf Tum)

When “Dilbar” used to be now no longer too long in the past remade, they did one thing dazzling – they truly included the true vocals of Alka Yagnik in the song. While “Dilbar Dilbar” from Sirf Tum used to be a break hit out of the gates relieve in 1999, it used to be additionally a key moment as younger singers fancy Sunidhi Chauhan and Hema Sardesai contain been making their label in the industry. Alkaji had established herself as the dawdle-to for seductive singles, and “Dilbar” over again reminded the next era that she silent had miles to dawdle!

1999 – “Taal Se Taal Mila” (Taal)

After what appeared fancy eternity, Alka Yagnik and A.R. Rahman in the waste came together for a Hindi soundtrack. What they created with “Taal” used to be nothing short of magical, and the title word and Alkaji’s impish yet youthful vocals perfectly matched up to the rising valuable particular person Aishwarya Rai who wanted a philosophize that can perhaps perhaps match her magnificence. Kudos to the track director for showcasing such versatility in the artist as he additionally abnormal Alkaji for the seductive “Ramta Jogi” and the classical-tinged “Kariye Na.” Curiously enough, Alkaji used to be the correct female singer Rahman abnormal for more than one song on the album – further proof of her site.

2000 –“Aisa Lagta Hai” (Refugee)

In 2000, Anu Malik took his years of making memorable hits with Alka Yagnik to the next level with Refugee. The semi-classical tunes with a folks sensibility had worked properly for the 2 previously, critically in Tamanna and Hameshaa  in 1997. “Aisa Lagta Hai” used to be the best example of Bollywood meets class as the song musically, lyrically and vocally created the correct romantic atmosphere that the film required. A truly timeless composition and efficiency.

2002 – “Kitni Bechain Hoke” (Kasoor)

By 2002, it appeared the timeless melodies of 1990s contain been changing right into a little dumb and dumb. While motion pictures fancy Raaz grew to change into big hits, worthy in fragment thanks to the evergreen compositions, there used to be a little of sameness to all the tunes. Fortunately, the Nadeem-Shravan due had yet yet some other trick up their sleeve and it used to be the sensual “Kitni Bechain Hoke” from Kasoor. While so many tracks felt fancy mediocre copycats of old hits, right here Alkaji purchased to showcase a little more vitality, a lot more stress-free and a impish side we had been missing from her romantic numbers for years. In many ways, the song plight the stage for the following few years as Alkaji grew to change into more selective (or track director opted for other singers), and that standout word used to be the particular person that can perhaps perhaps then be sent to her.

2005 – “Laga Prem Rog” (Maine Pyaar Kyun Kiya)

The mid ’00s is now no longer truly remembered for its unbelievable soundtracks nevertheless undoubtedly there contain been hit songs and Alka Yagnik used to be completely silent a fraction of the hit making system. Himesh Reshammiya 1.0, the track director ahead of singer and actor, appeared to heavily count on Alkaji for his hit tunes. From 2004’s Humraaz to Maine Pyaar Kyun Kiya right here, his fondness for her resulted in some gargantuan songs. “Laga Prem Rog” used to be a good word that captured everything we’ve all the time loved concerning the singer nevertheless with updated manufacturing.

2006 – “Salaam” (Umrao Jaan)

While the sick-fated remake of Rekha’s traditional Umrao Jaan with Aishwarya Rai left many in the red, the one artist that appeared to obtain the most appreciation used to be Alka Yagnik. In explicit, her efficiency of “Salaam” felt fancy the tribute we hadn’t asked for of Asha Bhosle nevertheless one we silent purchased. For seemingly the principle time in her profession, we could well perhaps also hear the maturity in Alkaji’s philosophize which made the song truly feel a lot more intimate.While the film is rarely remembered, this word remains to be current by track followers thanks to Alkaji’s vocals.

2007 – “Tumhi Dekho Naa” (Kabhi Alvida Naa Kehna)

There used to be a changing tide by 2007, and in quite lots of ways, the sad box office of Kabhi Alvida Naa Kehna appeared to contain less to realize with its adulterous theme and more to realize with the truth that folks’s sensibilities contain been changing. Despite this, Shankar-Ehsan-Loy chanced on a melody for the ages and Alkaji one other hit with “Tumhi Dekho Na.” The song managed to seize the colors of love as literally depicted in the film, and entire credit to Alkaji for making adultery sound so romantic!

2009 – “Pyaari Pyaari” (What’s Your Rashee?)

By the finish of the oughts, we weren’t attending to hear Alkaji as worthy so it used to be a stress-free shock to hear her on the highly underrated What’s Your Rashee? soundtrack. “Pyaari Pyaari” used to be a standout now no longer factual since the song aspects Alkaji nevertheless additionally since the storyline of the explicit Priyanka Chopra personality in the film so perfectly matched it. Not the most traditional word from the album nevertheless undoubtedly one in every of the most melodious. Plus, how attain you add maturity to a personality? Appropriate obtain Alkaji on board. It’s one thing else that the girl who for see you later exuded childhood and bubbliness used to be now the philosophize of motive.

2015 – “Agar Tum Saath Ho” (Tamasha)

The philosophize of motive – that’s potentially the best capability to point Alkaji’s presence in seemingly her most renowned song of the final 20 years. While Tamasha had many standard songs, none resonated as strongly as “Agar Tum Saath Ho” and that is virtually 100 p.c thanks to the philosophize in the relieve of it. Alkaji owns the A.R. Rahman composition from the originate; letting her virtually 35 years of recording philosophize recommend the depth required to expose the disappointment and the reality the lyrics. We could well perhaps also now no longer hear from her as assuredly anymore nevertheless we wish more track directors fancy Rahman to search out the dazzling capability to continue to showcase her most gifted instrument.

Alka Yagnik is a residing legend, undoubtedly about that. This listing of 20 doesn’t even commence to duvet the depth, vary or reputation her track has provided us over the final 40-plus years. As we desire her a colorful birthday, right here’s hoping there are many more compositions to near and a gigantic selection of more songs we are going to have the selection to all add to our contain personal life libraries with Alkaji leading our capability.

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